Professional Orchestration

Professional Orchestration PDF

Author: Peter L. Alexander

Publisher: Alexander University, Incorporated

Published: 2009

Total Pages: 693

ISBN-13: 9780939067930

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Alexander details dozens of woodwind and brass writing techniques previously known by only a few top professional film orchestrators, composers, and arrangers which are applicable to both live performance and MIDI mock-ups.

Professional Orchestration: A Practical Handbook - From Piano to Strings

Professional Orchestration: A Practical Handbook - From Piano to Strings PDF

Author: Joseph Wagner

Publisher: Alexander University, Incorporated

Published: 2009

Total Pages: 0

ISBN-13: 9780939067961

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In "Professional Orchestration: A Practical Handbook - From Piano to Strings", conductor/composer Joseph Wagner, Founder of the Boston Civic Symphony and former Composer-in-Residence at Pepperdine University, teaches you applied orchestration by demonstrating 30 different techniques within "The Reference Chart of Keyboard Idioms" for transcribing piano parts and piano devices to the string section. Techniques covered include Broken Intervals, Broken Chords, Melodic Lines and Figurations, Implied Bass Parts, Single Note Interval and Chord Repetitions, 2-3 Part Homophonic Music, Spacing Problems, Contrast Problems, Voice Leading, Obbligato, Antiphonal Effects, Tremolo Types, and Dance Forms. Designed for either personal or classroom use. Included in "From Piano to Strings" is the complete piano solo and separate string ensemble adaption of Grieg's "Holberg Suite" demonstrating how these techniques are applied and work in real practice. The Appendix contains a bonus String Ensemble template for you to copy and do your studies with and the "Chart of String Unisons" to help you work out common string combinations. Available for separate purchase is the "Workbook" with audio files that gives you dozens of homework examples to orchestrate. The "Workbook" is used with all three handbooks in the series - starting with "From Piano to Strings", then "From Piano to Woodwinds", and finally "From Piano to Orchestra". "From Piano to Strings" builds both orchestration and composition skills for live performance, but also develops MIDI mockup and recording skills. Companion titles for this series available for separate purchase are Alexander Publishing's "Professional Orchestration Volume 1: Solo Instruments and Instrumentation Notes" and "Volume 2A: Orchestrating the Melody Within the String Section".

The Cambridge Companion to Michael Tippett

The Cambridge Companion to Michael Tippett PDF

Author: Kenneth Gloag

Publisher: Cambridge University Press

Published: 2013-01-17

Total Pages: 335

ISBN-13: 1107021979

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This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.

Stravinsky's Late Music

Stravinsky's Late Music PDF

Author: Joseph N. Straus

Publisher: Cambridge University Press

Published: 2004-03-25

Total Pages: 284

ISBN-13: 9780521602884

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The first book to be devoted to the music of Stravinsky's last compositional period.

Creative Jazz Composing and Arranging

Creative Jazz Composing and Arranging PDF

Author: David Berger

Publisher:

Published: 2018-04-10

Total Pages: 128

ISBN-13: 9780692557129

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This book is for anyone who writes, plays or listens to jazz. It explains the writing process and the construction of jazz pieces. I've attempted to answer many of the questions that arrangers and composers ask themselves when they are writing. Players who read this book will better understand the arrangements that they play and will get more from their listening which will make them better at interpreting the music they perform. Listeners will get into the creators' heads and appreciate the jazz experience to a greater degree. What The Experts Are Saying: "I love David Berger's new book, Creative Jazz Composing and Arranging. His vivid description of his own musical development from childhood on imparts many valuable insights. The discussion of the musical content is clear and concise, while a respect and passion for the music and the creative process is evident throughout. The big band scores are brilliant pieces of music that are steeped in the rich tradition of jazz, but also convey the unique musical character that is David Berger. It is a joy to be able to get inside the head of one of my favorite jazz writers and bandleaders. Beside the wealth of information, understanding and encouragement contained in these pages, the anecdotes related to Duke Ellington and the musicians who performed in his orchestra are just one more reason to get this book in your hands." - Bill Dobbins - Professor of Jazz Composition and Arranging, Eastman School of Music "Among the musicians I know who pay attention to the broad concepts and fine details of composing and arranging jazz music, no one pays more attention than Dave Berger. He thinks about everything: formal ideas, textural contrasts, emotional expression, instrumental color and variety, motivic development, expectation and surprise, - more things than I can think of to enumerate. And he produces music that achieves an artistically satisfying balance in its elements - all the while maintaining continuity with the spirit that brought him to jazz in the first place. That alone is a remarkable achievement. That he has had the patience and focus to dissect his creative thought processes meticulously, down to the level of the finest details, and lay those thoughts bare so that others might learn from them is even more remarkable. If someone has thought about it, David has described it. I don't know anywhere anyone interested in this could learn more or learn it any more directly." - Chuck Israels - Bassist, Composer, Arranger, Author "When I first started playing with the National Jazz Ensemble in the late 70's, Dave Berger's work as chief composer and arranger made quite an impression on me. I marveled at what seemed to me a magical, mysterious ability to create and arrange music for big band. In his Creative Jazz Composing and Arranging, Berger demystifies this ability for the reader by clearly demonstrating - in a voice that is personal, humorous, as well as instructive - the techniques needed to become a master arranger. Creative Jazz Composing and Arranging is an important addition to the teaching canon and wonderful tool for any artist, whether they are just learning how the magic of this music is made or refining their existing style." - Ted Nash - Saxophonist/Arranger JALCO, BMI Jazz Composers Workshop "A student today has several choices of arranging books. But a book is like a tool; there is a certain one for a particular task. David Berger's book is designed for the intermediate to advanced student who has decided to become a professional jazz arranger along with the realization that a solid understanding of the tradition is essential. Mr. Berger provides an in-depth analysis of his music and thought process. More importantly, his 50-years of professional experience (and candid recounting of his own journey as a young student) provides invaluable and practical wisdom that is not readily found in written form." - Rich DeRosa - University of North Texas

The Technique of Orchestration

The Technique of Orchestration PDF

Author: Kent Kennan

Publisher:

Published: 2013-11-01

Total Pages: 422

ISBN-13: 9781292042923

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As in the earlier editions, the emphasis is on the practical fundamentals of orchestration. The Sixth Edition has been expanded and revised to reflect new developments in instruments and orchestral practice, and a new listening compact disc has been added that contains selected examples of orchestration.

Instrumentation and Orchestration

Instrumentation and Orchestration PDF

Author: Alfred Blatter

Publisher: Cengage Learning

Published: 1997

Total Pages: 0

ISBN-13: 9780534251871

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The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.