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Deleuze's Cinema Books

Author: David Deamer

Publisher: Edinburgh University Press

Published: 2016-09-08

Total Pages: 400

ISBN-13: 1474407706

Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.

Deleuze on Music, Painting, and the Arts

Author: Ronald Bogue

Publisher: Routledge

Published: 2014-02-04

Total Pages: 246

ISBN-13: 1317827686

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Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.

Deleuze and Cinema

Author: Felicity Colman

Publisher: Berg

Published: 2011-06-01

Total Pages: 288

ISBN-13: 1847887708

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Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.

Deleuze on Cinema

Author: Ronald Bogue

Publisher: Psychology Press

Published: 2003

Total Pages: 231

ISBN-13: 9780415966030

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First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Deleuze and Film

Author: David Martin-Jones

Publisher: Edinburgh University Press

Published: 2012-04-04

Total Pages: 249

ISBN-13: 0748650911

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Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and

Cinema: The time-image

Author: Gilles Deleuze

Publisher: U of Minnesota Press

Published: 1986

Total Pages: 366

ISBN-13: 9780816616770

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Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

Cinema 1

Author: Gilles Deleuze

Publisher: A&C Black

Published: 2001-11-01

Total Pages: 268

ISBN-13: 9780826459411

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Gilles Deleuze

Author: Paola Marrati

Publisher: JHU Press

Published: 2008-05-07

Total Pages: 161

ISBN-13: 0801888026

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2008 Outstanding Academic Title, Choice Magazine In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and André Bazin's film theory? What does it tell us about perceiving a world in images—indeed about our relation to the world? These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.

Deleuze and Cinema

Author: Barbara Kennedy

Publisher: Edinburgh University Press

Published: 2000-12-15

Total Pages: 240

ISBN-13: 0748665919

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Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies.

Cinema After Deleuze

Author: Richard Rushton

Publisher: A&C Black

Published: 2012-03-29

Total Pages: 186

ISBN-13: 082643892X

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A clear and concise overview of and introduction to Deleuze's theories of cinema.