Stephen Sondheim and the Reinvention of the American Musical

Stephen Sondheim and the Reinvention of the American Musical PDF

Author: Robert L. McLaughlin

Publisher: Univ. Press of Mississippi

Published: 2016-08-11

Total Pages: 322

ISBN-13: 1496808568

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From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, has established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.

How Sondheim Found His Sound

How Sondheim Found His Sound PDF

Author: Steve Swayne

Publisher: University of Michigan Press

Published: 2007-05-08

Total Pages: 340

ISBN-13: 9780472032297

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“Steve Swayne’s How Sondheim Found His Sound is a fascinating treatment and remarkable analysis of America’s greatest playwright in song. His marvelous text goes a long way toward placing Stephen Sondheim among the towering artists of the late twentieth century!” —Cornel West, Princeton University “Sondheim’s career and music have never been so skillfully dissected, examined, and put in context. With its focus on his work as composer, this book is surprising and welcome.” —Theodore S. Chapin, President and Executive Director, The Rodgers and Hammerstein Organization “. . . an intriguing ‘biography’ of the songwriter’s style. . . . Swayne is to be congratulated for taking the study of this unique composer/lyricist into hitherto unnavigated waters.” —Stage Directions “The research is voluminous, as are the artistry and perceptiveness. Swayne has lived richly within the world of Sondheim’s music.” —Richard Crawford, author of America’s Musical Life: A History “Amid the ever-more-crowded bookshelf of writings on Sondheim, Swayne’s analysis of Sondheim’s development as a composer stands up as a unique and worthy study. . . . For the Sondheim aficionados, there are new ideas and new information, and for others, Swayne’s How Sondheim Found His Sound will provide an intriguing introduction into the mind of arguably the greatest and most influential living Broadway composer.” —talkinbroadway.com “What a fascinating book, full of insights large and small. An impressive analysis and summary of Sondheim’s many sources of inspiration. All fans of the composer and lovers of Broadway in general will treasure and frequently refer to Swayne’s work.” —Tom Riis, Joseph Negler Professor of Musicology and Director of the American Music Research Center, University of Colorado Stephen Sondheim has made it clear that he considers himself a “playwright in song.” How he arrived at this unique appellation is the subject of How Sondheim Found His Sound—an absorbing study of the multitudinous influences on Sondheim’s work. Taking Sondheim’s own comments and music as a starting point, author Steve Swayne offers a biography of the artist’s style, pulling aside the curtain on Sondheim’s creative universe to reveal the many influences—from classical music to theater to film—that have established Sondheim as one of the greatest dramatic composers of the twentieth century.

The Oxford Handbook of Sondheim Studies

The Oxford Handbook of Sondheim Studies PDF

Author: Robert Gordon

Publisher: Oxford Handbooks

Published: 2014

Total Pages: 517

ISBN-13: 0195391373

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This handbook presents a comprehensive introduction to all aspects of composer-lyricist Stephen Sondheim's oeuvre. Chapters come from a remarkably wide range of disciplines as they offer new insights into Sondheim's work not only for the stage, but also for film and television, describing in full how Sondheim has re-shaped American musical theater.

The Musical

The Musical PDF

Author: Richard Kislan

Publisher: Hal Leonard Corporation

Published: 1995

Total Pages: 324

ISBN-13: 9781557832177

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(Applause Books). This revised and expanded edition of Kislan's acclaimed study of America's musical theater includes a new section on "Recent Musical Theater: Issues and Problems." "The ancient union of drama and song, known as musical theater, comes in many forms vaudeville, burlesque, comic opera, minstrels, etc. The author reviews these and other highlights of American musicals ... with a fascinating background on the elements that contribute to the success of a Showboat ." King Features * "Worth study by anyone who still thinks that the musical is a collection of songs." The Stage

The American Musical

The American Musical PDF

Author: Marc Bauch

Publisher: Tectum Verlag DE

Published: 2003

Total Pages: 192

ISBN-13: 9783828884588

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Although almost neglected in research and studies on American Literature, the American Musical is certainly the most interesting and the most popular genre of American theater and drama. It has been influenced by the necessities of a self-funding commercial theater system of a democratic country. The fact that it has developed in a country of democracy means that it should be a genre for everyone: the intellectual and the common man. Broadway has provided all these. In his study, Marc Bauch analyzes three American Musicals, namely South Pacific (1949) by Richard Rodgers and Oscar Hammerstein, West Side Story (1957) by Leonard Bernstein, Arthur Laurents and Stephen Sondheim as well as Sunday in the Park with George (1984) by Stephen Sondheim and James Lapine. Special attention is paid to the themes and topics, the literary means and the dramatic dodges of the aforementioned American Musicals. The three analyses are extended with historical overviews of the American Musical. Marc Bauch is also the author of Themes and Topics of the American Musical after World War II (2001) also published by Tectum Verlag.

The American Musical

The American Musical PDF

Author: Peter Riddle

Publisher: Oakville, Ont. : Mosaic Press

Published: 2003

Total Pages: 232

ISBN-13:

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This book traces the origins of music theatre from its 18th century European roots through its transformation in 19th century America, and its relation to American popular forms of entertainment as the minstrel show, burlesque and the revue. The flowering of the true musical comedy is documented, as represented by the Princess Musical of Jerome Kern and P G Wodehouse, which then gave birth to the first enduring masterpieces of American music drama -- Kern and Hammerstein's 'Show Boat'. Includes section on Stephen Sondheim, Andrew Lloyd Webber and the development of music theatre through the sixties and beyond.

Broadway Goes to War

Broadway Goes to War PDF

Author: Robert L. McLaughlin

Publisher: University Press of Kentucky

Published: 2021-06-08

Total Pages: 300

ISBN-13: 0813181011

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The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

Sondheim in Our Time and His

Sondheim in Our Time and His PDF

Author: William Anthony Sheppard

Publisher: Oxford University Press

Published: 2022-02-25

Total Pages: 457

ISBN-13: 019760319X

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Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time. Multiple chapters invite the reader to rethink Sondheim's works from a distinctly contemporary critical perspective and to consider how these musicals are being reenvisioned today. Through chapters focused on individual musicals, and others that explore a specific topic as manifested throughout his entire career, plus an afterword by Kristen Anderson-Lopez; by digging deep into the archives and focusing intently on his scores; from interviews with performers, directors, and bookwriters, and close study of live and recorded productions--volume editor W. Anthony Sheppard brings together Sondheim's past with the present, thriving existence of his musicals.

Our Musicals, Ourselves

Our Musicals, Ourselves PDF

Author: John Bush Jones

Publisher: Brandeis University Press

Published: 2011-04-17

Total Pages: 420

ISBN-13: 1611682231

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Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.

On Sondheim

On Sondheim PDF

Author: Ethan Mordden

Publisher: Oxford University Press

Published: 2016

Total Pages: 231

ISBN-13: 0199394814

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Giving each of Stephen Sondheim's musicals its own chapter, Ethan Mordden applies fresh insights and analysis to consider Sondheim's place in modern art, addressing the newcomer and the aficionado alike.