The Ancient Art of Emulation

The Ancient Art of Emulation PDF

Author: Elaine K. Gazda

Publisher: University of Michigan Press

Published: 2002

Total Pages: 342

ISBN-13: 9780472111893

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Are copies of Greek and Roman masterpieces as important as the originals they imitate?

The Aesthetics of Emulation in the Visual Arts of Ancient Rome

The Aesthetics of Emulation in the Visual Arts of Ancient Rome PDF

Author: Ellen Perry

Publisher: Cambridge University Press

Published: 2011-06-16

Total Pages: 0

ISBN-13: 9780521283977

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Arguing that the scholarship on this topic has not appreciated Roman values in the visual arts, this book examines Roman strategies for the appropriation of the Greek visual culture. A knowledge of Roman values explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and, most importantly, aemulatio, successful rivalry with one's models.

The Challenge of Emulation in Art and Architecture

The Challenge of Emulation in Art and Architecture PDF

Author: David Mayernik

Publisher: Routledge

Published: 2016-04-01

Total Pages: 296

ISBN-13: 1317039254

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Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.

The Challenge of Emulation in Art and Architecture

The Challenge of Emulation in Art and Architecture PDF

Author: Professor David Mayernik

Publisher: Ashgate Publishing, Ltd.

Published: 2013-12-28

Total Pages: 288

ISBN-13: 1472407520

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Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.

Judaism and Christian Art

Judaism and Christian Art PDF

Author: Herbert L. Kessler

Publisher: University of Pennsylvania Press

Published: 2012-10-08

Total Pages: 456

ISBN-13: 0812208366

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Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"—more figurative than real—in order to conquer, defend, and explore its own territory.

Collectors, Scholars, and Forgers in the Ancient World

Collectors, Scholars, and Forgers in the Ancient World PDF

Author: Carolyn Higbie

Publisher: Oxford University Press

Published: 2017-01-26

Total Pages: 304

ISBN-13: 0191077151

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Collectors, Scholars, and Forgers in the Ancient World focuses on the fascination which works of art, texts, and antiquarian objects inspired in Greeks and Romans in antiquity and draws parallels with other cultures and eras to offer contexts for understanding that fascination. Statues, bronze weapons, books, and bones might have been prized for various reasons: because they had religious value, were the work of highly regarded artists and writers, had been possessed by famous mythological figures, or were relics of a long disappeared past. However, attitudes towards these objects also changed over time: sculpture which was originally created for a religious purpose became valuable as art and could be removed from its original setting, while historians discovered value in inscriptions and other texts for supporting historical arguments and literary scholars sought early manuscripts to establish what authors really wrote. As early as the Hellenistic era, some Greeks and Romans began to collect objects and might even display them in palaces, villas, or gardens; as these objects acquired value, a demand was created for more of them, and so copyists and forgers created additional pieces - while copyists imitated existing pieces of art, sometimes adapting to their new settings, forgers created new pieces to complete a collection, fill a gap in historical knowledge, make some money, or to indulge in literary play with knowledgeable readers. The study of forged relics is able to reveal not only what artefacts the Greeks and Romans placed value on, but also what they believed they understood about their past and how they interpreted the evidence for it. Drawing on the latest scholarship on forgery and fakes, as well as a range of examples, this book combines stories about frauds with an analysis of their significance, and illuminates and explores the link between collectors, scholars, and forgers in order to offer us a way to better understand the power that objects held over the ancient Greeks and Romans.

Orality, Literacy, Memory in the Ancient Greek and Roman World

Orality, Literacy, Memory in the Ancient Greek and Roman World PDF

Author: Anne Mackay

Publisher: BRILL

Published: 2008-08-31

Total Pages: 296

ISBN-13: 904743384X

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This seventh volume on Orality and Literacy in Ancient Greece and Rome presents a series of essays that explore the workings of memory in ancient texts and artworks marking the shift over centuries from an oral to a literate culture.

The Art of the Roman Empire

The Art of the Roman Empire PDF

Author: Jaś Elsner

Publisher: Oxford University Press

Published: 2018-04-27

Total Pages: 368

ISBN-13: 0191081094

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The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury arts, and masonry, as both reflections and agents of those changes. Jas' Elsner's ground-breaking account discusses both Roman and early Christian art in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, he presents a fresh and challenging interpretation of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. This second edition includes a new discussion of the Eurasian context of Roman art, an updated bibliography, and new, full colour illustrations.

The Oxford Handbook of Roman Sculpture

The Oxford Handbook of Roman Sculpture PDF

Author: Elise A. Friedland

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 737

ISBN-13: 0199921822

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Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.

Edinburgh Companion to Ancient Greece and Rome

Edinburgh Companion to Ancient Greece and Rome PDF

Author: Edward Bispham

Publisher: Edinburgh University Press

Published: 2006-07-24

Total Pages: 616

ISBN-13: 0748627146

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The Edinburgh Companion, newly available in paperback, is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilisation and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more.