The Dance of the Comedians

The Dance of the Comedians PDF

Author: Peter M. Robinson

Publisher: Univ of Massachusetts Press

Published: 2010

Total Pages: 0

ISBN-13: 9781558497856

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A lively account of the comedy of politics and the politics of comedy from Artemus Ward to The Daily Show

The Dance of the Comedians

The Dance of the Comedians PDF

Author: Peter M. Robinson

Publisher: Univ of Massachusetts Press

Published: 2010

Total Pages: 0

ISBN-13: 9781558497337

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A lively account of the comedy of politics and the politics of comedy from Artemus Ward to The Daily Show

The Comedians

The Comedians PDF

Author: Kliph Nesteroff

Publisher: Open Road + Grove/Atlantic

Published: 2015-11-03

Total Pages: 460

ISBN-13: 0802190863

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“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal

Country Music Humorists and Comedians

Country Music Humorists and Comedians PDF

Author: Loyal Jones

Publisher: University of Illinois Press

Published: 2008-10-08

Total Pages: 450

ISBN-13: 0252033698

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This volume is an encyclopedia of country music performers who have used comedy as a central component of their presentation. Loyal Jones offers a conversational and informative biographical sketch of each performer, often including a sample of the musician's humor, a recording history, and amusing anecdotal tidbits. In an entertaining style, Jones covers performers throughout the twentieth century, from such early stars of vaudeville and radio barn dances as the Skillet Lickers and the Weaver Brothers and Elviry, to regulars on Hee Haw and the Grand Old Opry, continuing to current comedians such as the Austin Lounge Lizards, Ray Stevens, and Jeff Foxworthy.

Alfred's Basic Piano Library Theory, Bk 4

Alfred's Basic Piano Library Theory, Bk 4 PDF

Author: Willard Palmer

Publisher: Alfred Music

Published: 1983

Total Pages: 0

ISBN-13: 9780739007440

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Designed to coordinate page-by-page with the Lesson Books. Contains enjoyable games and quizzes that reinforce the principles presented in the Lesson Books. Students can increase their musical understanding while they are away from the keyboard.

The Comedians of the King

The Comedians of the King PDF

Author: Julia Doe

Publisher: University of Chicago Press

Published: 2021-03-21

Total Pages: 327

ISBN-13: 022674339X

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Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.

I Only Roast the Ones I Love

I Only Roast the Ones I Love PDF

Author: Jeffrey Ross

Publisher: Simon and Schuster

Published: 2009-09-15

Total Pages: 306

ISBN-13: 143910140X

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Ross, one of the meanest men in comedy, offers anecdotes and deconstructs themakings of a great roast.

Classical Hollywood Comedy

Classical Hollywood Comedy PDF

Author: Kristine Brunovska Karnick

Publisher: Other

Published: 1995

Total Pages: 826

ISBN-13: 9780415906395

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Applies the recent return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.

Seriously Funny

Seriously Funny PDF

Author: Gerald Nachman

Publisher: Pantheon

Published: 2009-08-26

Total Pages: 688

ISBN-13: 0307490726

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The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.